Recording | Live Sound | Podcasting
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L502
5-Channel Compact Mixer
Flexible Routing and Features for Studio or Stage
The L502 is as simple as it gets; plug in your mic and instruments, connect the outputs to the PA or recorder, dial in your levels and tone, and start playing. It has one LvL Series preamp with an XLR and 1/4″ TRS input, as well as four stereo inputs and 2-band EQ.
Let’s say you’re a singer/guitarist playing a small club along with a keyboard player. Plug your microphone into the XLR input, and your instrument into the 1/4″ TRS input, and you still have stereo inputs for your keyboard playing buddy, as well as assignable RCA inputs/outputs for a playback device or other auxiliary needs. Then, use the L502’s main outputs to connect to a PA system, or to your home recording studio.
L502
5-Channel Compact Mixer
The Harbinger L502 5-Channel Mixer is the high-quality, low-cost, all-analog mixing solution for solo singer-songwriters, small groups, and home recording setups where simple is better. It’s a great choice for live sound in coffeehouses and small clubs, as well as an easy way to manage your audio signals and get them into your recording system.
Flexible Routing and Features for Studio or Stage
The L502 is as simple as it gets; plug in your mic and instruments, connect the outputs to the PA or recorder, dial in your levels and tone, and start playing. It has one LvL Series preamp with an XLR and 1/4″ TRS input, as well as four stereo inputs and 2-band EQ.
Let’s say you’re a singer/guitarist playing a small club along with a keyboard player. Plug your microphone into the XLR input, and your instrument into the 1/4″ TRS input, and you still have stereo inputs for your keyboard playing buddy, as well as assignable RCA inputs/outputs for a playback device or other auxiliary needs. Then, use the L502’s main outputs to connect to a PA system, or to your home recording studio.
LVL Series preamps are ultra clean, offering amazing frequency response from 10Hz to 22kHz with less than a single decibel of variance. Even more impressive is their high headroom and very low noise; these mixers can handle impressively loud input levels without getting close to clipping.
What all this means is that for live gigs, jams, and recording, what comes through is exactly what you put in, with a clean all-analog signal path that will sound great onstage or for your recordings.
LVL Series preamps are ultra clean, offering amazing frequency response from 10Hz to 22kHz with less than a single decibel of variance. Even more impressive is their high headroom and very low noise; these mixers can handle impressively loud input levels without getting close to clipping.
What all this means is that for live gigs, jams, and recording, what comes through is exactly what you put in, with a clean all-analog signal path that will sound great onstage or for your recordings.
Harbinger gear is famous for its great value, but don’t be fooled: despite their affordable price, the LvL mixers are tough enough to handle almost any mixing environment, with a rugged metal chassis and sold build quality.
The L502’s compact size makes it perfect to take to clubs, coffeehouses, and other small venues, and their road-worthiness means you can feel confident that it’s going to work night after night, venue after venue. Compare it to any other mixer in its price range, and you’ll see that the L502 is unquestionably the best value in small but mighty mixers.
FEATURES
FEATURES
- 5-channel mixer with a variety of routing options
- 1 LvL Series ultra clean mic preamp with XLR and ¼” TRS balanced/unbalanced line input
- 2 TRS ¼” balanced/unbalanced stereo inputs
- Top quality 2-Band EQ
- Phantom power
- Input gain on mic preamps
- Input Signal/Peak indicator LED
- Pan/Balance controller per channel
- 5-Segment LED main mix meter
- RCA input and output
- Headphone outputs
- Robust external AC power supply
- Rugged metal chassis
SPECIFICATIONS
SPECIFICATIONS
MIXER
Frequency Response
• Mic In to Main Out (Trim at 0 dB): 10Hz – 22kHz +0 -1dB
THD
• Mic In to Main Out, 20Hz to 20kHz: 0.008%
Preamp Noise (EIN)
• 20 Hz to 20 kHz, (150Ω source): -118 dB
Residual Output Noise
• All level controls @ minimum: -87 dB
Common Mode Rejection Ratio (CMRR)
• Maximum Gain: >50dB @ 1kHz
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MIXER
Frequency Response
• Mic In to Main Out (Trim at 0 dB): 10Hz – 22kHz +0 -1dB
THD
• Mic In to Main Out, 20Hz to 20kHz: 0.008%
Preamp Noise (EIN)
• 20 Hz to 20 kHz, (150Ω source): -118 dB
Residual Output Noise
• All level controls @ minimum: -87 dB
Common Mode Rejection Ratio (CMRR)
• Maximum Gain: >50dB @ 1kHz
5-Channel Mixer • Flexible Routing Options • High-Headroom Mic Preamp
• Adjacent channels: -36dB
• Same channel (stereo separation): -88dB
Input Gain Control Range: 0 dB to +50 dB
Phantom Power
• DC: +15V
Equalization
• Mono Channel, High: ±15 dB @ 12 kHz
• Mono Channel, Mid: n/a
• Mono Channel, Low: ±15 dB @ 80 Hz
Output Level
• Maximum: +20 dBu
Maximum Input Levels
• Mic: +12 dBu, Gain @ +10 dB
• Line Input: +20 dBu, Gain @ +10 dB
• Aux RCA Input and Aux Return: +20 dBu
• Mic Input: 2.6 kΩ, balanced
• Line Input: 20 kΩ, balanced
• Stereo Aux Returns: 20 kΩ, balanced
• CD/Aux RCA In: 24 kΩ, unbalanced
Output Impedance
• Main: 240 Ω, balanced / 120 Ω, unbalanced
• Ctrl Room, Aux Sends: 120 Ω
• Aux RCA Output: 1 kΩ
• Phones Output: 25 Ω
VU Meters
• 5 Segments: Clip (+18), +6, 0, -20 dB
AC Power Requirements
• 3-pin AC Mini XLR connector: 22 VAC _ 2 @ 350mA
Dimensions
• WxDxH (mm): 152x198x60
Weight (net)
• without PSU: 0.85 kg
BUY NOW FROM THE FOLLOWING RETAILERS:
BUY NOW FROM THE FOLLOWING RETAILERS:
OWNER’S MANUAL
OWNER’S MANUAL
